“我获得永久号已经好几年未中签了！”“永久号还要抽签？真是笑话！”“连续跑7年了，去年就是没中，也不知道永久号到底是啥意思？”最近，“永久号不中签”的话题在跑圈引起了热议。    With Parasakthi inching closer to release, composer actor GV Prakash has offered a key update that shifts the spotlight squarely onto Sivakarthikeyan. The actor has lent his voice to Tharakku Tharakku, the fourth single from the film, a track GV Prakash describes as a rebel anthem. The announcement, shared with a photograph featuring Sivakarthikeyan and director Sudha Kongara, has quickly become one of the most talked about developments surrounding the project.While Sivakarthikeyan has sung in films before, his decision to voice a song in Parasakthi feels particularly deliberate given the film’s political and historical setting. Rather than functioning as a novelty, Tharakku Tharakku appears positioned as an extension of his character’s inner voice, one that aligns performance, ideology, and music.When the lead becomes the voiceParasakthi is set in the nineteen sixties and draws from the Anti-Hindi agitations that swept Tamil Nadu in 1965. Within this context, Sivakarthikeyan singing a rebel anthem adds narrative weight to the soundtrack. It suggests a song that is meant to belong to the character rather than sit outside the story as a standalone musical moment.GV Prakash has already shaped a varied musical landscape for the film. The earlier singles Adi Alaye, Ratnamala, and Namakkana Kaalam explored romance, emotion, and collective aspiration. Tharakku Tharakku, however, seems designed to cut sharper, both musically and thematically. Described as a rebel anthem, the track is expected to channel resistance, urgency, and defiance, qualities that mirror the political climate the film revisits.          #SK sings for #parasakthi the rebel song #tharakkutharakku @Siva_Kartikeyan @Sudha_Kongara @DawnPicturesOff pic.twitter.com/1TZ6Yp7Ooa     — G.V.Prakash Kumar (@gvprakash) December 15, 2025               Sivakarthikeyan’s vocal presence also reinforces his evolving image as an actor who increasingly gravitates toward roles rooted in social consciousness. Singing the song himself blurs the line between performer and protagonist, allowing the music to function as a direct emotional conduit rather than a decorative addition.A politically charged ensemble dramaDirected by Sudha Kongara, Parasakthi marks her fourth feature after Drohi, Irudhi Suttru, and Soorarai Pottru. Known for her ability to blend strong character arcs with larger socio-political themes, Sudha appears to be using music as an integral storytelling tool rather than a pause in the narrative. She has co-written the film with Arjun Nadesan, with additional screenplay by Ganeshaa and dialogues by Madhan Karky and Shan Karuppusamy.The film is headlined by Sivakarthikeyan and features Ravi Mohan in what is said to be the first antagonist role of his career. Atharvaa plays a key part, while Sreeleela makes her Tamil cinema debut as the female lead. There has also been speculation about Rana Daggubati’s involvement, though the makers are yet to confirm his casting. Details about the characters remain under wraps, adding to the sense of anticipation.          The technical team includes Ravi K Chandran as cinematographer, Sathish Surya as editor, S Annadurai as art director, and Supreme Sundar as action choreographer. Produced by Aakash Baskaran under the Dawn Pictures banner, the film has Dev Ramnath as creative producer, with MP Senthel and Rhea Kongara serving as executive producers. Red Giant Movies is handling distribution.With postproduction in full swing and a theatrical release locked for January 14, 2026, Parasakthi is shaping up as one of the most ambitious Tamil films on the horizon. As anticipation grows, Tharakku Tharakku stands out not just as another single, but as a moment where Sivakarthikeyan’s voice becomes central to the film’s political and emotional core.Also Read: AR Murugadoss Spills Details About Sivakarthikeyan’s Madharasi。一边是赛事组委会高调宣传“永久号码”的荣誉感，一边是持有者捧着这张“金字招牌”却依然要拼手气。跑友们发出灵魂拷问：永久号，不中签，到底有毛用？

永久号不该是“空头支票”永久号设立的初衷，肯定是好的！无论是某个赛事连跑几年，获得永久号，本质上都是为了致敬那些忠实跑者。他们连续多年跑这个赛事，是赛事的活名片，是赛道上的精神标杆，理应得到一份特别的礼遇。但问题是，有些赛事把永久号玩成了“空头支票”——给你一个号码，然后就没有然后了。

二 | 报名照样要抽签，中签照样看运气。这跟发一张“荣誉会员卡”却不给任何会员权益有什么区别？跑友要的不是一个虚名，而是一份实实在在的尊重。永久号该怎么玩？永久号就要像某些赛事一样，拿出满满的诚意。

三 | 厦门马拉松：完赛10场即可获取永久号，每届预留赛事规模10%的免费直通名额给永久号选手，这就是诚意。

四 | 安阳马拉松：连续三年完赛即可申领，永久号选手报名全程或半程项目，无需抽签，直接获得参赛资格。而且号码还可以自选，“2222”“8888”这种靓号先到先得，跑友玩得不亦乐乎。兰州马拉松：累计8届全马完赛可获终身号，同样直通参赛。这些赛事的共同点是：门槛清晰，权益明确，说到做到。

五 | 永久号的核心价值不在于那个号码有多好看，而在于它的权益有多大！别让永久号，变成笑话永久号本来是好事，但有些赛事不急于任何特权，硬生生地把好事玩成了“笑话”！但也有人说：“永久号选手直通，那不是挤占了普通跑友的中签率吗？”这话听着有理，实则站不住脚。一个赛事几万个名额，永久号选手能有几个？厦门马拉松永久号名额占总规模的10%，对整体中签率的影响不大。真正的公平，不是让所有人都一样，而是让付出更多的人得到应有的回报。

六 | 如果一个忠诚的跑友连续跑某个赛事七八届，花了上万块钱报名费、交通费、住宿费，年复一年地支持赛事，申请一个永久号，给点直通的特权也不为过。永久号应该是“双向奔赴”说到底，永久号不是施舍，更不是噱头。它应该是跑者和赛事之间的一种契约：你用坚持和热爱换取一份确定性，我用直通和礼遇回馈你的忠诚。

七 | 跑友们想要的很简单。

八 | 门槛要说清楚，别今天三年明天五年，朝令夕改；权益要落实，直通就是直通，别整“优先抽签”这种文字游戏；号码要珍惜，别动不动就收回。永久号的意义，不在于那个号码本身，而在于它代表的某种意义。当你带着永久号跑完赛事后，至少你知道明年你还回来，还能来，这种归属感，是花钱买不来的。